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在现代社会的背景下,传统的英雄人物、历史话语乃至宏伟叙事,均受到后现代主义文学的否定。那些在历史上充当重要角色的英雄人物不再是后现代文学考察的主角,曾几何时雄大的历史篇章也因过于壮阔的叙事而变得无从把握;与这些醒目的人物和场景相比,默默无闻的小人物、细节的处理,甘居末座的情节铺陈,越来越成为新传媒的宠儿,此文从后现代语境出发,考察新时代下作为文化载体的传媒手段的特征,同时试图给出关于现代传媒未来发展的、最具可能性的方向。
In the context of modern society, traditional heroic figures, historical discourses and even grand narratives are all denied by postmodernist literature. Those heroic figures who historically played an important role are no longer the protagonists in the postmodern literary study, and the historical chapters of the past have become unable to grasp due to overly grand narratives. Compared with these eye-catching figures and scenes, the obscure little people The details of the handling of the plot, laid bare by the last episode, more and more become the darling of the new media, starting from the postmodern context, this article examines the characteristics of the media as a carrier of culture in the new era, at the same time trying to give the future of the modern media Development, the most likely direction.