数月之前今日美术馆的一个群展上,毛焰展出的作品还都是近年创作的托马斯肖像,而在最近佩斯北京的毛焰个展中,托马斯系列已不到展出作品三分之一,虽然有一件大尺幅的托马斯肖像画试图告诉观众,小托马斯依然是艺术家的主要模特,这一系列还将延续下去,但两张同尺幅的女人体显然才是本次展览的主打作品。女性裸体是毛焰作品中少有的题材,但此次展出的《椅子上的小魔女》和《微胖的裸女》依然体现出毛焰高超的绘画技巧,我们能在画面中清晰的感受到西方古典大师对毛焰的影响,但技巧之外的精神气质则是毛焰绘画所独有的。相比托马斯系列中的驾轻 A few months ago, at a group exhibition at Today Art Museum, Mao Yan exhibited his work on Thomas’ portrait created in recent years. In the recent Peking Beijing Mao Yan solo exhibition, the Thomas series is less than one-third of the exhibited works Although a large Thomas portrait tries to tell the audience that Little Thomas is still the main model of the artist, this series will continue. However, it is clear that two women of the same size are the main works of this exhibition. Female nude is a rare subject in Mao Yan’s works, but the “little witch on the chair” and “nude lady with a little fat” exhibited by this exhibition still show superb painting skills, and we can clearly feel in the picture To the influence of the ancient masters of the West on Mao Yan, but the spirit of the spirit outside the skill is unique to Mao Yan’s painting. Compared to the Thomas series in the light