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中国传统文人山水画中的视觉经验是园林创作的基础之一,文人在园林绘画创作中从多重角度对园林的观照,是文人山水审美的综合呈现,也是产生园林空间和意境的起点。文章基于明代吴门画派领袖文徵明的园林绘画作品中呈现的文人视角,应用现代数字技术手段,针对《拙政园三十一景图册》中的作品进行了园林空间分析、视觉经验总结及景点路径复原,并生成了明代拙政园全景式画卷,试图追溯东方古典山水艺术的视觉思维与园林境域观望的一致性[1]。
The visual experience in Chinese traditional literati landscape painting is one of the foundations of landscape creation. Scholars’ contemplation of gardens from multiple perspectives in the creation of landscape paintings is the comprehensive presentation of literati landscapes and aesthetic landscapes, as well as the starting point for producing landscape space and artistic conception. Based on the literati perspectives presented in the garden paintings of the leader of the WuMen School in the Ming Dynasty, the article applies modern digital techniques to analyze the landscape in the Garden of Humble Administrator’s Garden Thirty-one Atlas, Summarizes and reconstructs the scenic spots, and creates a panoramic picture of the Humble Administrator’s Garden in the Ming Dynasty. It attempts to trace the consistency between the visual thinking of the oriental classical landscape art and the landscaped state of the garden [1].