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近三年来,李晨通过自己策划、组织和实践的“边境·远方”活动,以行万里路的方式,沿途写生,创作了一批以人物和自然为题材的作品。这批作品的基本特征是充满生活气息,具有独特的笔墨语言和审美趣味。从李晨个人艺术发展的历程看,这批作品无疑是他对自身艺术的成功超越,也包括身份的成功转换(在人物画家之外又多了一个水墨风景画家的身份)。不过更为重要的是这种超越自我的艺术意义和价值,来自于与艺术史的关联。我这样说的意思是,李晨的这批艺术作品,在中国水墨艺术的上下文,也即艺术史,特别是水墨风景的历史发展中,具有重要的意义和价值。
In the past three years, Li Chen has created a series of paintings based on characters and nature through his own planning, organization and practice of “border and distance” activities and his life journey of thousands of miles. The basic characteristics of these works are full of life style, with a unique pen and ink language and aesthetic taste. Judging from the development of personal art of Li Chen, these works undoubtedly succeeded in transcendence of his own art as well as the successful transformation of his identity (adding as an ink painter to the figure painter). More important, however, is the artistic significance and value of this transcendence of self that comes from the connection with art history. What I mean by this is that these works of art by Li Chen are of great significance and value to the context of Chinese ink painting, that is to say, the history of art, especially the landscape of ink and wash.