说到香港武侠片,不能不提及导演张彻,他活跃于上世纪70年代,创作了古装刀剑片、民国拳脚片等多种形态的武侠电影,让中国传统武侠电影走向辉煌和巅峰。时至今日,可能留给观众印象最深的就是银幕上死状惨烈的少年英雄、彻头彻尾的悲剧情节。但隐于这些冲击性视觉元素之下的,还有暗流涌动的英雄意气,以及颇具浪漫主义的剧情设计。其中,1971年问世的《新独臂刀》就是张彻个人风格达到极致的典范,这部影片讲述了少年 Speaking of Hong Kong martial arts films, can not fail to mention the director Zhang Che, he was active in the 70s of last century, created a sword of ancient costumes, the Republic of China boxing and other forms of martial arts films, so that the Chinese traditional martial arts film to glory and pinnacle. To this day, perhaps the most impressive impression on the audience is the tragic young hero on the screen, downright tragedy. But hidden beneath these impacting visual elements are the heroic mood of the undercrowding and the romantic plot design. Among them, the “new one-armed knife” that came out in 1971 is a model that Zhang Cheh’s personal style has reached its peak. The film tells the story of a teenager