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成语“旧瓶新酒”,多用于比喻文艺方面以旧的形式去表现新的内容。传统戏曲剧目如何适应时代的要求?广州粤剧二团在1998年广州文艺新作展演中推出的新编剧目《草莽英姿穆桂英》,走的正是这么一条“旧瓶新酒”的创作路子。这出戏在保留原有故事的大框架上,着力塑造了全新的穆桂英和杨宗保这两个主要形象,依照人物性格特征引发出一系列戏味十足的情节,给传统的故事框架注入了新的内涵。《穆桂英招亲》、《六郎罪子》(或称《辕门斩子》,都是粤剧脍炙人口的传统剧目,相对固定的排场、表演程式和唱段,使众多老观众耳熟能详,但这些老戏普遍存在着一种通病,就是着重于交代情节而忽略了人物塑
Idiom “old bottle of new wine,” used more metaphorical aspects of art to express the new content in the old form. How can the traditional drama repertoire adapt to the requirements of the times? It is exactly such a creative approach of “old bottle of new wine” that the new play “Meadow Hidey Gui Yingying” launched during the Guangzhou Canto Opera Group’s new performance in 1998 was released. The play retains the original story of the big frame, focused on creating a new Mu Guiying and Yang Zongbao these two main characters, in accordance with the character of personality triggered a series of tasteful plot, the traditional story framework into New connotation. Mu Guiying’s “pro-Qin” and “Liu Lang’s sin” (or “Yuan Men Zaizi”) are all traditional operas popular in Cantonese opera. Their relatively fixed performance, performance programs and aria make many old viewers familiar with each other, There is a common problem, that is, to explain the plot and ignore the figure plastic