徐渭是我国明朝中期的一位艺术大家,不仅在诗歌、戏剧领域造诣颇深,而且在书法、绘画方面也卓有成效,尤其在国画创作方面更是达到了登峰造极的境界。在国画创作中,徐渭没有受困于当时浓烈的复古风潮,而是不拒成法地走出了一条特立独行的“写意”之路,对后世画坛影响极为深远。本文在梳理其艺术生涯的基础上,从构图、运笔、用墨等方面对其绘画中的写意元素进行简要探究。 Xu Wei, an artist in the middle of the Ming dynasty, not only achieved deep accomplishments in poetry and drama, but also achieved great success in calligraphy and painting, especially in the field of traditional Chinese painting. In the creation of traditional Chinese painting, Xu Wei was not trapped in the vigorous retro trend of the time, but instead of refusing to become a maverick “Freehand ” way, it had a profound influence on future painting circles. On the basis of combing his artistic career, this article makes a brief exploration of the freehand elements in his paintings from the aspects of composition, transportation and use of ink.