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山阴路,细雨绵密中显得分外静谧。梧桐叶上溅落的水珠,滴在路上,发出清脆的响声。在这种情趣奇妙的天气里,去探访电影作曲家杨绍相,似乎是经过精心选择的。有一种莫名的兴奋涌上心头,其中或许是因为他有了新居。他刚搬来不久,自然,告别九平方米的道路是漫长的。记得头一回探访,是他得了中国电影第二届“金鸡奖”最佳作曲奖之后,我们好不容易才找到那间深藏在小弄里的陋室。开门的是他,个子不高,话语不多,一看就知道是属于沉默型的。有人说,音乐家是用音乐
Shanyin Road, drizzle was especially quiet. Indus leaves splashing drops, dripping on the road, issued a crisp sound. In this fantastic weather, visiting the movie composer Yang Shaoxiang seems to have been carefully chosen. There is an inexplicable excitement in mind, perhaps because he has a new home. Shortly after he moved, naturally, the road to bid farewell to nine square meters is lengthy. Remembering the first visit, after he won the Best Composition Award for the second “Golden Rooster Award” for Chinese film, it was hard to find the shabby room hidden in the little lane. Open the door is his, tall, not many words, a look that is a silent type. Some people say that musicians use music