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1987年,日本人以大破纪录的三千九百九十万美元买走了凡高的《向日葵》后,1990年又以八千二百五十万美元的更高价格迎回了他的晚年巨著,在沉思中颇显忧郁的《加歇医生肖像》。这一次、又一次的惊人壮举,使欧美各国富商相形见绌,自愧不如。据说日本安田火灾海上保险公司在买回凡高的《向日葵》后,用一间展室单独陈列,旁边还摆放一重达数百公斤的金块,决心全力提高公司的形象,在国际画坛传为佳话。正当他们把名画炒得火热的时候,1996年《艺术报》以及其他的刊物先后提出质疑,指出我们今天认定的凡高画作,包括上述的两幅名画在内,特别是画家生命最后七十天在巴黎近郊奥维尔镇的创作,有不少并非真迹,而是别人的临摹、毫无价值的仿制品。此后许多有影响的美术刊物又相互转载,或撰文助威。一时流言四起,是非难辨,给凡高研究和艺术市场造成一定的混乱。
In 1987, after Japan bought the Van Gogh “sunflower” with a record-breaking 39.9 million U.S. dollars, it returned to his later years in 1990 at a higher price of 82.5 million U.S. dollars Masterpiece, rather depressed in the meditation, “Dr. Gatchhe Portrait.” This time, again, the amazing feat has shaved the wealth of businessmen from Europe and the United States. It is said that Japanese Yasuda Fire Marine Insurance Company bought Van Gogh’s “sunflowers” after a separate display with a showroom, next to a display weighing hundreds of kilograms of gold bullion, determined to fully enhance the company’s image in the international art scene For the good news. At a time when they were fiery about the famous paintings, the 1996 Art Newspaper and other publications challenged each one to point out that the Van Gogh paintings we identified today, including the two famous paintings mentioned above, especially the artist’s last seventy days In the suburbs of Paris orville town creation, many are not authentic, but others copy, worthless imitation. Since then, many influential art journals have reprinted each other, or wrote an article cheer. The gossip made it difficult to tell the truth about Van Gogh’s research and the art market.