张海书法的正大气象是非常明显的,这一风格特征,不仅深刻地反映了他的艺术审美取向,也体现了他作为书坛领军人物,在艺术导向和精神追求上的责任心和正义感。很大程度上,这也是评价他的书法艺术成就和书史地位必须考虑的重要因素。张海兼擅楷书、行草、隶书和篆书,而且其书法内在的变化非常丰富。比如他的行草书就有六种不同的表现形式(参见张海著《四体书创作自述》行草部分)。不过任何书家,无论其风格变化如何多样,一定有其总体特征。纵观张海各种书体的作品,无不以正大气象为基本特色。具体而言,他的 The positive atmosphere of Zhang’s calligraphy is very obvious. This style of character not only profoundly reflects his artistic aesthetic orientation, but also reflects his sense of responsibility and sense of justice as the leader of the calligraphy industry in art orientation and spiritual pursuit . To a large extent, this is also an important factor that must be considered in evaluating his achievements in calligraphy art and his position as a book historian. Zhang Hai and good regular script, line of grass, official script and seal script, and its calligraphy inherent change is very rich. For example, there are six different manifestations of his cursive scriptures (see Zhang Hsing’s “Grassroots Section of the Quaternary Book Writing”). However, any book writer, no matter how diverse his style, must have its overall characteristics. Throughout Zhang Hai various book works, all with the atmosphere as the basic characteristics. Specifically, he’s