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唐宋派的“神理”说和王士祯的“神韵”说对刘大櫆的“神气”说产生了直接而深刻的影响。“神理”说涉及三个维度:文本语言形式层面的神采,作品人物的内在神情和读者所感知到的作品的传神能力。这三个维度涵义的渗入直接使得刘大櫆“神气”说具有了一种动态指向,即从作者指向作品和作品指向读者;同时“神理”说主要是指通过“理”的表达手段达到“神”的效果,而这样的分层结构影响了刘大櫆的“神气”——“音节、字句”的理论空间结构。“神韵”说除了像“神理”说那样将“神”的内涵和“内蕴——形式”结构传递给刘大櫆,它还为“神气”说提供了“韵味”、“含蓄”的要素。
The “God Theory” of the Tang and Song Schools and the “Shen Yun” of Wang Shizhen say that they have a direct and profound impact on Liu Dakui ’s “spirit ”. “God ” said three dimensions involved: the level of language and language form of expression, the inner look of the characters and readers readers perceived works of the expressive ability. The infiltration of the three dimensions of meaning directly makes Liu Dalai “Qi ” said that there is a dynamic point, that is, from the author points to the works and works point to the reader; the same time, “God The expression of ”God “ effect, and such a layered structure of Liu Dalai influence ”air “ - ”syllables, words “ theory of the spatial structure. In addition to passing the connotation and ”inner-form “ structure of ”God “ to Liu Dalai as ”“ ”Charm “, ”subtle " elements.