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本文的探讨分为两个部分:第一个部分为水陆法会及水陆画的概述介绍。第二部分以“笔底仙踪——明清佛教神像画展”为核心,详述本次展览的展品及其风格,并就我馆馆藏的水陆画与其对应的水陆修斋仪轨的考订问题、水陆画的展陈方式的“原境”问题提出一些见解。
This article is divided into two parts: The first part is an overview introduction of the law of the land and water and water and land. The second part focuses on the exhibits and styles of the exhibition “Buddhism and Goddess of Ming and Qing dynasties” at the bottom of the page - Examination questions, water and land paintings show the way of “original ” put forward some views.