崔志安的作品既给人一种雄阔的气象,又使人感受到一种繁丽的灵感。这种美感可能还源自他的色彩运用,画家似乎将“随类赋彩”的原则大大强化了、提升了,不同的物象类别皆以某种单纯的色调大面积地铺陈、展现,使色彩的表现力突现而出,进而促使画面的主体形象占据了视觉中心。你看他笔下那些或红、或绿、或蓝、或黄的荷叶、葵叶、棕树叶、芭蕉叶,给人的色彩美感是多么地鲜丽、强烈!这种色彩手法与其花鸟造型一样,也是有一种阔大的气派,这是单纯中见出的阔大,明丽中透出的宽博,是从客观色相中提取出来的、蕴涵着画家主观意趣的色彩世界。 Cui Zhian works both give a magnificent weather, but also make people feel a kind of gorgeous inspiration. This beauty may also come from his use of color, the painter seems to be “with the class color ” principle has been greatly enhanced, improved, different image categories are in a simple tone large-scale layout, show, So that the performance of color emerge out of prominence, thereby promoting the main image of the screen occupy the visual center. You see how many beautiful, intense colors in his writing are red, or green, or blue, or yellow lotus leaf, sunflower leaf, palm leaf, banana leaves, There is also a broad and generous style. This is a broad and simple one that can be seen in pure form. It is extracted from the objective hue and contains the color world in which the artist is subjectively interested.