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在当代世界影坛,论及电影的叙事艺术,不能不提及英国导演克里斯托弗·诺兰。其导演、编剧的电影诸如《致命魔术》《记忆碎片》《盗窃罪》《失眠症》《蝙蝠侠》等,内涵丰富,观念开放,表现内容切入社会时代深处,广受欢迎。尤其在叙事艺术的表现上,富有浓厚的实验意味,变化多样。探讨诺兰电影的叙事艺术实践,梳理其特征和形式,不仅有着个案艺术探寻的价值,更可征见叙事价值形态对于电影创作本身新思路的生成意义。
In the contemporary world, talking about the narrative art of cinema can not fail to mention the British director Christopher Nolan. Its director, screenwriter movies such as “deadly magic” “memory fragments” “theft” “insomnia” “Batman”, rich in content, open concept, the performance of content into the depths of social times, popular. Especially in the performance of narrative art, rich in experimental meaning, varied. Studying the narrative art practice of Nolan movie and combing its characteristics and forms not only have the value of case art exploration, but also can see the meaning of narrative value form for the new thinking of film creation itself.