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写意人物画中的“写”在梁楷那个时代,与描画同义,被称作简笔画;元代以后,“写”的含义变成书写之意,即以书法性笔墨来描写物象。而“意”则首先表现为物象之大意;其次表现为物象的精神;再次就体现为画家的观念传达与情感的抒发。写意人物画是以人为表现主体,将笔墨与观念相协调、相融合的绘画形式。画家郭弘的写意人物画多以貌美的青年女子为表现主体,常以画面来凝固女子的一个动作瞬间或是一个将要转瞬即逝的神情,很好地吸引了观者的视线,将观者的思
In the era of Liang Kai, synonymous with drawing is called stick figure. After the Yuan Dynasty, the meaning of “writing ” became the meaning of writing, that is to calligraphy Describe the image. The “meaning” is firstly manifested as the meaning of the object; secondly, it manifests as the spirit of the object; once again, it manifests as the expression of the artist’s concept and emotion. Freehand portraits are man-made representation of the main body, the ink and the concept of harmony, the form of integration of painting. Painter Guo Hong’s freehand portraits mostly feature the beautiful young women as the main body of expression, often using pictures to solidify a woman’s action moment or an immortal look that well attracts the viewer’s attention. The viewer Thinking