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这次手风琴比赛强调和突出中国作品,并希望能在今后掀起一个中国手风琴作品热潮。中国手风琴创作一直是我们的薄弱环节。多年来,我们总是在靠拉外国曲子过日子;没有我们民族自己的作品就没有中国手风琴事业的发展。俄罗斯手风琴为什么会有今天这样高超的水平,就是因为他们有着极其丰富的浓郁民族风格的手风琴作品。俄罗斯手风琴演奏家们演奏的是他们本民族的音乐,因此手风琴受到俄罗斯人民的喜爱,人民离不开手风琴。中国当前的状况是演奏家们都是在拉外国的手风琴作品展示他们的水平。现在不少人都在改学自由低音巴扬手风琴,可我们几乎没有自由低音的中国作品,大家清一色拉的都是俄罗斯作品。这难道不是一个问题?不是中国手风琴事业的危机吗?中国音协手风琴学会和各省市手风琴学会都应看到这样一个不正常的局面。我们应该清醒地认识到,这样的局面将严重阻碍中国手风琴事业的发展,我们有责任去改变它。
The accordion competition emphasizes and highlights Chinese works and hopes to set off a wave of Chinese accordion work in the future. Chinese accordion creation has always been our weakness. Over the years, we have always lived on foreign songs; without our own works, there has been no development of China’s accordion. Russian accordion why there is such a superb level today, it is because they have a very rich and rich ethnic style accordion works. Russian accordionists play the music of their own nation, so the accordion is loved by the Russian people and the people can not do without the accordion. The current situation in China is that performers are exhibiting their skills in foreign accordion works. Nowadays, many people are studying the free bass bayan accordion, but we have almost no Chinese works of free bass. All of us are all Russian works. Is this not a problem? Not a crisis in China’s accordion business? China Association of Accordion Accordion and Accordion Institute of provinces and cities should see such an abnormal situation. We should clearly understand that such a situation will seriously hamper the development of the accordion in China. We have a responsibility to change it.