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相声是以语言为主要手段的喜剧性曲艺形式。它是一种“笑”的艺术,又是一种“说”的艺术。从话轮转换角度分析语言是话语分析的方法之一,它最早用来分析人们日常会话,如今此理论更多地应用于访谈节目主持人话语把持和课堂教学中的教师语言控制,都取得了成功。本文从话轮转换角度分析相声中的捧逗语言特点,从一个全新视角欣赏相声的语言和捧逗哏言语技巧,进而分析捧逗哏在相声表演中的地位和作用。
Cross talk is a comic form with language as the main means. It is a “laugh” art, but also a “say” art. It is one of the methods of discourse analysis from the perspective of turn-taking and turn-taking. It is first used to analyze people’s daily conversations. Nowadays, this theory has been applied to the control of discourse of presenters and teacher’s language control in classroom teaching. success. This article analyzes the language characteristics of holding a comic in comic dialogues from the perspective of turn-taking, and appreciates the language of comic dialogues from a new perspective and the speech technique of holding a tentative speech, and then analyzes the position and role of holding a comic in comic dialogues.