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以往的现代天津文学史研究较为重视1930年至1949年这一时期的研究,但此前的研究相对薄弱;而1919年至1930年这个时段恰是天津文学从古代走向现代的重要时期,然而一直未能有清晰的描述。笔者重新考察这段历史后发现:1919年前,天津的文学生态基本是传统诗文和通俗小说并峙的局面;“五四”运动后,由于新文学的崛起,使得这种生态发生了变化,显示了新文学与前两者鼎足并存的态势。从1919年至1930年,新文学的势力逐渐加强,并以1928年《大公报》“文学副刊”创刊为其标志。但在新文学发展的同时,传统诗文和通俗小说也在发展,势力并未减弱,三足鼎立的局面没有太大的改变,且这种局面一直延续到了1949年。这种三足鼎立的局面正是现代天津都市文学的基本形态,也是其典型形态。
The previous studies on the history of modern Tianjin literature paid more attention to the research from 1930 to 1949, but the previous studies were relatively weak. From 1919 to 1930, this period was just an important period of Tianjin literature from ancient times to modern times, Can have a clear description. After re-examining this period of history, the author found that: Before 1919, the literary ecology in Tianjin was basically the same as the traditional poetry and popular novels. After the “May 4th Movement”, the emergence of this kind of ecology occurred due to the rise of new literature The changes have shown the coexistence of new literature and the former two. From 1919 to 1930, the forces of new literature gradually strengthened, and in 1928 the “Ta Kung Pao” “literary supplement ” started publication as its symbol. However, while the development of new literature, traditional poetry and popular novels are also developing. The forces have not weakened. The situation of the tripartite confrontation has not changed much, and this situation lasted until 1949. This tripartite confrontation is exactly the basic form of modern Tianjin urban literature, but also its typical form.