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织绣印染是我国传统工艺的重要组成部分,传承至今已历史悠久,技艺精湛。在广大的北方地区一些传统的丝织业的发展处于停滞、衰落状态,但在不同时期东北地区,桑蚕丝织也具有相对的推广和发展。二十一世纪的今天,东北地区的民间工艺美术非物质文化遗产中,织绣和印染两项工艺并没有得到很好的发展。对于织绣印染在东北发展的设想应当从民间工艺美术的纵横时空去考察,具有实用历史传承性、美观性、区域结构性、传播交流性等文化特征。
Embroidery printing and dyeing is an important part of China’s traditional crafts, heritage has a long history and superb artistry. In the vast north of some traditional silk industry in the stagnation and decline of the state, but in different periods in Northeast China, silk weaving also has a relative promotion and development. Today, in the 21st century, in the intangible cultural heritage of folk arts and crafts in Northeast China, the two processes of embroidering and printing have not been well developed. Embroidery printing and dyeing in the development of the Northeast should be imagined from the perspective of folk arts and crafts vertical and horizontal time and space to have a practical history of heritage, aesthetics, regional structure, communication and other cultural characteristics.