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大约自清中叶始,一些诗话类著作的作者便有意识地认定杜甫的“三吏”“三别”为新乐府。受其影响,现当代的一些杜诗论著与文学史教科书,亦将这组诗作如是观。着眼于唐宋人对新乐府的认识,可知作为“唐世新歌”的新乐府,除应具有“即事名篇,无复倚傍”、“凡所歌行”等特点外,还可配乐传唱。而“三吏”“三别”既非“凡所歌行”之属,更难以“播于乐章歌曲”,因此,其并非为新乐府,而是一组以“写时事”著称的五言古诗。
About the middle of the Qing Dynasty, some writers of poetry and calligraphy consciously identified Du Fu’s “Three Officials” and “Three Beings” as the new Yuefu. Affected by this, some modern Du Fu poems and literary history textbooks, but also this group of poetry as concept. Focusing on the understanding of the New Yuefu by the Tang and Song dynasties, we can see that the new Yuefu, as a “New Song of the Tang Dynasty”, can also be used in addition to the characteristics of “being famous, not complex” and “performing all songs” Singing. However, the “three officials” and “three beings” are neither “songs of the genre”, nor even more difficult to “broadcast in the music of the songs.” Therefore, they are not the New Yuefu but a group of five words Ancient poetry.