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作家形象是德国作家马丁·瓦尔泽早期小说创作中的一个重要主题。《菲利普斯堡的婚事》中的作家克拉夫是不顺从主义者,《时间过半》中的诗人迪克沃充当了公众的警告者,《独角兽》中的安塞尔姆像妓女一样出卖了作家的良心。瓦尔泽早期小说通过塑造这三个别具特色的作家形象,反映了20世纪50年代特殊的政治、经济和历史背景对作家命运的深刻影响,进而辛辣地讽刺和批判了联邦德国50年代的社会弊端。
The writer’s image is an important topic in the early novel creation of the German writer Martin Walzer. Clough, a writer in “Phillipsburg’s Marriage,” is a non-conformist, and “over halfway” poet Dick Woo served as a public warner, and Anselm in “Unicorn” betrayed like a prostitute Writer’s conscience Through the creation of these three distinctive writers, Walzer’s early novels reflected the profound influence of the special political, economic and historical backgrounds on the fate of writers in the 1950s, and thus spicyly satirized and criticized the social malpractices of the Federal Republic of Germany in the 1950s .