本世纪以来,整个汉语写作都处在两大传统(即中国古典传统和西方现代传统)的阴影下。写作者由于自身的焦虑,经常把阴影夸大成一种压力,进而把压力本身也夸大了,却没有正确对待真正的也是必要的压力,也即汉语的压力。我仅想局限于通过现代汉语诗歌,来探讨在这两大传统阴影下的写作。汉语写作的其他领域,大致可以在这个基础上加以理解,但不一定完全一样。 Since the beginning of this century, the entire Chinese writing has been under the shadow of two traditions, the Chinese classical tradition and the Western modern tradition. Due to their own anxiety, writers often overstate the shadows as a kind of stress, which in turn exaggerates the stress itself, but does not correctly address the real and necessary pressure, that is, the pressure of Chinese. I just want to confine myself to writing in the two traditional shades of modern Chinese poetry. Other areas of Chinese writing can be generally understood on this basis, but not necessarily the same.