文学史上早有定评的批判现实主义大师巴尔扎克以他的鸿篇巨著《人间喜剧》名重于世,凡是接触过外国文学的人,无不为这位文坛巨子对法国十九世纪前期这幅巨风俗画所展现的广阔和深邃所折服。但是,百余年来,巴尔扎克创作倾向中一个比较重要的方面却被研究者忽视了,起码说是没有得到应有的重视。这个曾被巴尔扎克本人多次强调了的问题,就是《人间喜剧》中所显示的理想主义倾向,即巴尔扎克作品中对真、善、美的颂扬。 Balzac, the critically realistic master of criticism in the history of literature, is famous for his masterpiece “human comedy”. All those who have come into contact with foreign literature are praising the literary giant for the first half of the nineteenth century Giant genre paintings show the vast and profound impressed. However, over the past hundred years, one of the more important aspects of Balzac’s creative tendency has been neglected by researchers, at least it has not received due attention. This question, once emphasized by Balzac himself, is the idealistic tendency shown in “human comedy”, that is, praise of truth, goodness and beauty in Balzac’s work.