关于中华民国“国歌”作者、名盛一时的江西省“推行音乐教育委员会”主持人程懋筠的专论:《程懋筠生平及其创作研究》,在政治相对开明、海峡两岸愈见缓和的今天,得以刊载于西安音乐学院学报《交响》(1988年第3期)。付梓之际,颇有些“河东河西”之慨,联系四个月来的奔波、思索、研究史料,写下这束札记,录下一些断想,或许于已于人不无裨益? With regard to the author of the “Anthem” of the Republic of China, the monograph of Cheng Maoyun, the founder of the Prominent Music Education Committee of Jiangxi Province, a well-known author of “The Study of Chengmaojun’s Life and His Creative Writing”, a day of today’s political liberalization and the easing of cross-Strait relations, Published in Xi’an Conservatory of Music journal Symphony (1988 the third period). At the time of its return, quite a few “Hedong Hexi” generously linked to four months of running around, thinking, researching historical materials, writing this bunch of notes, recording some speculations, may have been beneficial in people?