近百年来大量的简牍、残纸、帛书、瓦当、砖铭等有文字的文物出土,都可以引起书法界的惊喜,被其所表现出的随意、质朴所折服。这些大量的字迹不但表现出与经典书法不同的艺术魅力,而且丰富了书法内容,补充了书法史料。书法理论界称为『民间书法』,但是『民间书法』在界定上含糊不清,当务之急必须对民间书法进行科学的界定,这对书法发展具有重要的现实意义。造成界定不清的根本原因在于对书法的认识、进而对艺术认识的模糊,分 Nearly a hundred years a large number of Jane, paper, silk, Wadang, bricks and other text of the unearthed cultural relics, can cause the calligraphy circles of surprise, was shown by the random, rustic impressed. These large quantities of handwriting not only show the artistic charm different from the classical calligraphy, but also enrich the calligraphic content and supplement the calligraphic historical materials. The theory of calligraphy is called “folk calligraphy”. However, the definition of “folk calligraphy” is ambiguous. It is imperative that we must make a scientific definition of folk calligraphy. This is of great practical significance for the development of calligraphy. The fundamental reason for the unclear definition lies in the cognition of calligraphy and the vagueness of artistic understanding