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今年的“香港电影金像奖”,所有的风光无疑都是属于周星驰的。《少林足球》独得7项大奖,“星爷”终于登堂入室,从边缘走向中心,从非主流走向主流……但是“批评的声音”马上就传来了——一部商业片,虽然创下了香港电影史上前无古人的票房成绩,可获奖毕竟有把“金像奖”的严肃性消解,引导其走向玩闹的嫌疑。碰巧的是,今年在内地,也有一件类似的事情发生:冯小刚导演的《大腕》号称要去柏林电影节上角逐“金熊奖”,结果却是铩羽而归。这多半代表了以标榜艺术著称的电影节对商业电影的一种态度
This year's “Hong Kong Film Awards”, all the scenery is undoubtedly belong to Stephen Chow. “Shaolin Soccer” won seven grand prizes. “Yeh Yeh” finally entered the hall, from the edge to the center and from the mainstream to the mainstream ... However, “Voice of Criticism” came immediately - a commercial film, which set a Hong Kong movie The history of unprecedented box office results, winners, after all, the “Prize” seriousness digestion, to guide their suspicions toward playing. Coincidentally, this year in the Mainland, there is a similar thing happened: Feng Xiaogang's “biggest names” claimed to go to the Berlin Film Festival competition “Golden Bear Award”, the result is plundered. Mostly this represents an attitude toward commercial films that make famous film art fame