《九歌》是战国时期楚国伟大诗人屈原的代表作,但是《九歌》中那瑰丽神奇的神话传说、丰富无羁的想像意象、热烈无比的歌舞欢会、恢宏盛大的祭祀仪式等等,并非屈原的独有创造。屈原所凭依的是楚地的原始巫术仪式“传统”,是以巫术仪式的原始戏剧为原型的加工和创造。原始“九歌”是一组祭神所用的乐歌,它是楚地民间盛大祭祀仪式巫觋作法对唱时的歌辞,是巫术仪式表演中的叙述(解说)部分,用以邀神、娱神、媚神、使神(役使神)、祭神、送神等。它来源于远古先民生殖崇拜、祈丰求雨的圣婚仪式原型。屈原《九歌》是这种原始“九歌”仪式性、戏剧性的 “Nine Songs” is a masterpiece of Qu Yuan, a great poet of the Chu State during the Warring States period. However, the magnificent and magical myths and legends of the Nine Songs, which enriched the images of uninhibited imagination, warm and joyous singing and dancing, grand and grand rituals, Qu Yuan’s unique creation. Qu Yuan relies on the “tradition” of primitive witchcraft ceremonies in Chu and the processing and creation of prototypes based on witchcraft ceremonies. The original “Nine Songs” is a group of songs used by the gods. It is a song sung by the witch-shackles of the Chu folk sacrificial rituals and the narrative (commentary) part of the ritual performances of witchcraft to invigorate and entertain God , Pro-God, so God (serving God), offering God, send God. It comes from the ancient ancestors of worship, pray for rain, the holy wedding prototype. Qu Yuan “Nine Songs” is the original “Nine Songs” ceremonial and dramatic