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张葆桂山水画作品,一方面从传统中继承并汲取养分,突破传统山水符号化的笔墨程式.综合运用皴.擦、点,染、积、破等技巧.在点、线的任情挥洒间讲究黑色的叠加、韵致;另一方面.他站在中西结合点上.大胆地融合中西绘画的造型因素为已所用.如中国传统的“平远,深远.高远”法则与焦点透视相结合.虚实空间以及明暗、光线的灵活应用等等,在张葆桂的绘画世界中都能看出在这些方面他对画面经营的匠心独运。
Zhang Baogui’s landscape paintings, on the one hand, inherit and absorb nutrients from the tradition and break through the pen and ink programs symbolized by the traditional landscapes, make full use of the techniques of rubbing, spotting, dyeing, plotting, breaking, etc. At the point, On the other hand, he stands on the point of integration of Chinese and Western cultures, boldly integrating the styling factors of Chinese and Western paintings with the traditional Chinese principle of “far-reaching, far-reaching and lofty” combined with a focus of perspective. The actual space and the light and shade, the light of the flexible application, etc., in Zhang Bao-gui’s painting world can be seen in these aspects of his imagination of the screen management.