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有一刻,坐在国家大剧院歌剧院池座上,内心一如台上的《稻禾》,稻浪翻腾,抽节拔穗,对面就是久违的林怀民,他的身姿,他的艺术,他的如稻禾成熟的过程,于我于《台声》不能不算是熟悉得不能再熟悉的了。自始迄今,《台声》几乎年年有他耕耘的印痕、结出的硕果,以及他腾挪翻江的舞场。林怀民,一位标准的中国式文男。1947年生于台湾嘉义,14岁开始发表小说,22岁出版《蝉》,成为上世纪
For a moment, sitting in the pool seat of the National Center for the Performing Arts opera, the heart of the stage as the “rice Wo”, rice waves tumbling, pumping Festival spike, opposite is the long-lost Lin Huai-min, his posture, his art, If the process of ripe rice paddy, in my “Taiwan sound” can not be regarded as familiar can not be familiar again. From the beginning to the present, “Taisheng” has made his mark of printing hardworking almost every year, with its fruitful results and his dancing field. Lin Huai-min, a standard Chinese male. Born in Chiayi, Taiwan in 1947, he started to publish novels at the age of 14 and published “Cicada” at the age of 22, becoming the last century