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响器班~①是常见于聊城丧、祭礼俗中的鼓吹乐班,1949年以后女性乐人进入乐班,至今她们已成为必不可少的竞争核心。她们的参与,颠覆了响器班专属男性的传统,所用音乐也从传统笙笛乐曲,拓展至戏曲和流行歌舞音乐。本文以丧葬仪式中的女性乐人为切入点,实地考察响器班的现状,以乐人口述构建60年间聊城丧葬仪式音乐神圣功能逐渐世俗化、娱乐化的变迁历史。
The melodious class ~ 1 is a common advocate of music in Liaocheng mourning and ritual worship. Since 1949, the female musicians have entered the music class and so far they have become the indisputable core of competition. Their participation has subverted the tradition of the male instrument of the sounder class and the music used has expanded from traditional sardonic music to opera and popular song and dance music. This article takes the female musicians in the funeral ritual as the starting point and examines the current situation of the sounder class on the spot to construct the transitional history of the sacred function of Liaocheng funeral ritual music gradually becoming secularized and entertaining through the oral quotation of the musician.