千禧年过后,当今中国文艺理论开始进入新的历史阶段,尤以“日常生活审美化”思潮及其争论为新的表征。这场围绕着“生活与审美之关联”的思潮与论争,其实直接带来了两个学术后果:一个就是文艺学学科的扩容,由此出现了几种新的文艺理论的撰写方法,这的确极大地推进了文艺理论在新世纪的积极拓展;另一个则是“生活美学”的兴起,审美与生活的再度关联使得“生活美学”成为新生长点,这也使得美学试图超越“实践—后实践”范式而有所突破。这两方面共同造就 After the New Year, the theory of Chinese literary and art begins to enter a new historical stage, especially the new trend of “aestheticization of daily life” and its controversy. This trend of thought and controversy surrounding “the connection between life and aesthetic” has in fact directly brought about two academic consequences: one is the expansion of the discipline of literature and art and the emergence of several new methods of writing literary theory, This indeed greatly promoted the positive development of the theory of literature and art in the new century; the other was the rise of “life aesthetics,” and the re-association of aesthetics and life made “life aesthetics ” a new growth point, which also made aesthetics Trying to go beyond the “practice - after practice” paradigm and a breakthrough. These two aspects make together