乡愁是中国文学中不可缺少的一个重要主题,生态电影则是随着生态批评理论和世界性生态思潮而出现的一种新的电影形态,两者之间看似毫无联系,实际上反映出的正是现实生态和精神生态的双重危机下人的困境和迷失。生态电影正是通过对这种乡愁情结的表达,从而反思商业资本和消费文化对人性的侵蚀,呼吁人类自我精神的关照与救赎,实现终极关怀的目的。 Nostalgia is an indispensable important topic in Chinese literature. Ecological film is a new form of film that emerges along with the theory of ecological criticism and global ecological ideology. There seems to be no connection between the two. In fact, It is the plight and loss of human beings under the double crisis of the real ecology and the spiritual ecology. It is through the expression of such nostalgia complex that eco-movie reflects the erosion of human nature by commercial capital and consumer culture and calls for the care and redemption of human self-spirit to achieve the ultimate concern.