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农民进城的事实,不断引起主流社会的关注,促成了当下农民工书写这一文坛热点。众多学者以“底层”文化理论观照这种创作现象,但大部分研究显得过于宽泛而对具体文本分析少有兴趣。于是,立足文本细读,从文学审美的角度来加以反思显得尤为重要。综览众多作品,无论是价值观的混乱,历史感的缺失,情绪性强烈,还是文学消费的功利性太强,都不同程度地影响了这一类创作的成功。要走出这些误区,作家需要以虚心的写作态度、虚静的美学心态,将个体的体验与虚构的艺术紧密融合,表现“农民工进城”的历史文化与人性冲突。
The fact that peasants go to cities has constantly aroused the concern of the mainstream society and contributed to the hot spot in this literary field. Many scholars use the “bottom” cultural theory to look at this kind of creation phenomenon, but most of the studies seem too broad and less interested in the analysis of specific texts. Therefore, based on the text to read, from the perspective of literary aesthetics to reflect is particularly important. A comprehensive review of many works, whether they are values confusion, lack of historical sense, intense emotions, or too utilitarian literary consumption, have all affected the success of this type of work in varying degrees. To get out of these misunderstandings, writers need a humbly writing attitude and a quiet aesthetic mentality, which closely integrates the experience of the individual and the fictional art to show the conflict between history, culture and human nature.