论文部分内容阅读
第一讲 先谈素描的一般问题。对这些问题,应该先有个明确看法。 一、素描的任务和要求 素描的任务,是研究和掌握形象——形神兼备的形象。形象是现实主义造型艺术的基本语汇,如同旋律是音乐艺术的基本语汇一样,世界上不存在“没有形象的造型艺术”。 视觉所接触的可见因素很复杂,如形、光、色、质、环境、空间等,其中形、体、结构,是最基本的东西,是“传神”的物质基础,是造型的间架和素坯,是骨骼系统,反映造型的基本规律,是不可动摇的;其它因素是外部附加的,可变的,有时是偶然的,甚至是可有可无的。所以人们常用“骨法”、“骨相”、“骨气”作为评语,来强调对素描的本质要求。
The first talk about the general sketch of the problem. There should be a clear view on these issues. First, the task of the sketch and the task of drawing a sketch is to study and master the image - the image of both shape and spirit. Image is the basic vocabulary of realism art, just as melody is the basic vocabulary of music art, there is no “art without image” in the world. Visible elements of visual contact is very complex, such as shape, light, color, quality, environment, space, etc., of which shape, body, structure, is the most basic thing is the material basis of “vivid” Billet is a skeletal system, reflecting the basic laws of shape, unshakable; other factors are externally attached, variable, and sometimes accidental, or even dispensable. Therefore, people often use the “bone method”, “bone phase”, “bone” as a comment, to emphasize the essential requirements of the sketch.