引言中国的印学历史自宋以降日益丰腴完善。特别是元明以来勃兴的文人治印,不但在字法、篆法、刀法等方面长足的拓展和丰富了印学史,对印章的材质和相关钤拓材料、工具也倍加关注。明代印学理论的繁荣不仅仅表现在印论本体的丰富多彩,还表现在印人对于印泥的论述,除却散见于各印论提及印泥的只言片语,最具代表性的就是甘肠《印章集说》末尾部分的《制印色方》 Introduction The history of Chinese printing and learning has been improving since the Song Dynasty. Especially since the Yuan and Ming dynasties, the literati and the people who have been booming have not only expanded and enriched the history of printing and learning in terms of lettering, seal law, and knife law, but also paid more attention to the material of the seal and related materials and tools. The prosperity of the theory of typography in the Ming Dynasty was not only manifested in the richness and colorfulness of the ontology of printing but also reflected in the accounts of the Indian people in the exposition of the ink and ink, Say “at the end of the” printer color square "