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叹词、拟声词以其丰富的表现力,赢得了文人墨客的青睐,活跃在文学作品中。它们或以声点境,渲染环境气氛;或以声披情,刻画心理情态;或以声传神,展示个性形象……真可谓异彩纷呈,各尽其妙。渲染环境气氛都德在《最后一课》中写到:只听见钢笔在纸上沙沙地响。这“沙沙”既烘托了教室环境的静寂,又透露出学习气氛的严肃、紧张和浓烈,并使人感觉到觉悟中的小孩子们那切切悔恨深深自责的激荡心潮,那热爱祖国、痛恨德国侵略音的跳动的脉搏!《分马》中周立波写到:“这小家伙,回头非揍你不可!哎哟!这儿,给我揉揉。这小家伙……
Interjection, onomatopoeia with its rich expressive power, has won the favor of literati, active in literary works. They are either soundscape, rendering the atmosphere of the atmosphere; or phonophoresis, portrayal of psychological modus operandi; or to express the image of the individuality, it is vivid and colorful. Rendering atmosphere Todd writes in the “Last Lesson”: Only hear the pen rustle in the paper. This “rustling” not only embodies the silence of the classroom environment but also reveals the solemnity, tension and concentration of the learning atmosphere and makes people feel that the young children in the society who are deeply regretful and deeply remorseful, that love the motherland, Hate the pulse of the German aggression tone! “Separation of horse” in Zhou Libo wrote: "This little guy, back non-beat you not! Oh! Here, give me a rub.