戏曲是综合艺术,是集文学、表演、导演、美术、舞蹈等多艺术门类于一体而进行集中整饬的艺术。从较为成熟的元杂剧开始算起,中国戏曲经过八百多年历史的洗礼和积累,已经涵盖拥有唱、念、做、打各层次的程式,涉及唱腔、板式、表演,甚至舞美各领域,戏曲导演在执导传统戏的过程中,这些程式化的东西可以运用得得心应手。但近年来,戏曲舞台上涌现出越来越多的现代戏却差强人意,戏曲导演是有一定责任的。如何在现代戏中更好地运用和把握戏曲程式,值 Opera is a comprehensive art, which is a collection of art, literature, performances, directors, art, dance and other art in one. Beginning with the more mature Yuanza Zaju, Chinese opera has covered programs of singing, reading, doing and playing at various levels after more than 800 years of history. It involves singing, boarding, performing and even dancing in all fields. In the process of directing traditional drama, these stylized things can be used by opera directors with ease. However, in recent years, more and more modern drama has emerged on the stage of opera, which is far from satisfactory. Drama directors have certain responsibilities. How to better use and grasp the opera program and value in modern drama