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“撒尔嗬”是鄂西南清江流域土家人为亡人举行的一种以歌舞为载体的丧葬仪式,这种“哀而不伤”的丧葬仪礼在当地社会中具有重要的社会意义。本文深入调查研究了巴东“撒尔嗬”现代变迁的表现形式,并从文化互动的视角进行分析阐释。随着基层社会的变迁、民间丧鼓队的出现等因素使得“撒尔嗬”在地域分布、人员结构、表现形式、文化信仰及社会功能方面发生了较大变迁。族际通婚及汉族融入当地社会的实际需要等使巴东局部地区的汉族采用土家“撒尔嗬”丧葬习俗,巴东“撒尔嗬”已从土家族文化发展成为当地土家族、汉族共有的区域性文化。
“Salling ” is a funeral ceremony carried out by song and dance held by Tujia people living in the Qingjiang River valley in the southwest of Hubei Province. Such a funeral ceremony of “sorrow without injury” is of great importance to the local community Social Significance. This article investigates and studies the manifestations of the modern vicissitudes of Patong ’s “Sall ”, and analyzes and interprets from the perspective of cultural interaction. With the changes of the grassroots society and the emergence of folk moguits, many factors have changed such as geographical distribution, personnel structure, manifestations, cultural beliefs and social functions. Ethnic intermarriage and the integration of Han into the local community’s actual needs make the local people of Badong use the Tujia and Sallian funeral customs and the Badong Sarqa have evolved from Tujia culture to Tujia , Han regional culture common to all.