何其芳后期散文趋向革命现实主义,艺术性在融入现实语境中逐渐消退,表现在三个方面:从工笔细雕到白描画形、从营构意境到议论强势、从旨意曲婉到表意赤裸。艺术消退原因主要有两个:一是革命斗争中无暇艺术雕饰,二是文化选择影响作品的艺术性。 He Qifang’s post-prose toward the trend of realism, art in the context of the reality subsided, manifested in three aspects: from fine carving to the white description of the form, from the conception of the mood to talk about the strong, from the meaning of Qu Wan to naked. There are two main reasons for the sublation of art: one is that there is no time to carve the art in the revolutionary struggle, and the other is that the cultural choices affect the artistic quality of the works.