一“临终抢救”的提出“愈是贫困和边远的地方,民间文化反而保存得更完整一些,纯粹一些。倘若真的这样,岂不更是悲哀。我们的文化不是保护下来的,而是被历史遗忘在那里的。我们只不过没有力量去破坏它罢了。”①这是当年冯骥才先生在田野调查时发出的感慨,那时优秀的传统民间艺术在边远的山 A “death and rescue ” put forward “the more poverty and remote areas, folk culture but rather preserved more purely some, if so, would not it be even more sad .Our culture is not protected, But forgotten by history where we only have no power to destroy it. ”① This was the feeling of Mr. Feng Jicai in the field investigation at the time when excellent traditional folk art was on the remote mountain