刘明的近作具有刀削斧凿般的坚定与明确,强烈的形式感甚至有些生硬,从而在东北这块宽广敦厚的文化土壤上,生长出一种耿直刚健的独特画风。不同于《坐福》中柔和优美的平面化抒情慢板,刘明近作中重新恢复了对造型中硬度感和速度感的强调。硬朗的锐角和清晰的轮廓线,提炼出事物内在的结构框架,顿拙而断续的用笔,如同音乐中的切分音,增强了结构性的力度和节奏,弱化了柔和过渡的色彩旋律,我看刘明的画,似乎听到他那略带沙哑的歌声,那是画布上的“摇滚”。刘明对这个世界其实索要不多,在付出了那么多的真诚后,他只想得到同样的真诚,凸现人的个性。工业化的社会越来越拥挤,在所有的空间里,在流行音乐、时装、快餐、影视、广告甚至在公共汽车里,我们都被灌输着大致相同的东西,被迫处于无个性、无思维的接受者地 Liu Ming’s recent work has a firm and clear-cut ax, a strong sense of formality and even bluntness, thereby creating a unique and unique style of painting on this vast and extensive cultural soil in the northeast. Different from the soft and graceful planar lyrical board in “Sit-blessing”, Liu Ming’s recent work has regained the emphasis on the sense of hardness and speed in modeling. Harsh acute angle and clear contour lines, refining the internal structure of things, clumsy and intermittent use of pens, like the music in the diatonic, enhance the intensity and rhythm of the structure, weakening the soft transition color melody I think Liu Ming’s painting seems to hear his slightly hoarse voice, which is “rock and roll” on the canvas. In fact, Liu Ming did not want much to this world. After paying so much sincerity, he just wanted the same sincerity and his personality. In an increasingly crowded industrialized society, in all of our spaces, we are instilled with roughly the same stuff in pop music, fashion, fast food, television, advertising and even in buses, forced to be personalityless and mindless Recipient ground