张大千对待中国画传统的态度可以说是“拿来主义”的。大凡他自己认为感兴趣的东西,绝无门户流派之见,拿来就用。尤其在中年时期,他对于传统艺术样式的搜求几乎到了贪得无厌的地步,除了大量地拿来之外,还就其艺术脉络加以推衍发挥,更创新境,他自己称之为“以固为创”。因此,要分别具体地谈张大千山水画意境是困难的。但从张大千个人的艺术气质这一角度着眼,则会发现他仍然是万变不离其宗,所有他学习的前人的技术与原则,几乎都统摄于自己清新俊逸的格调之下。不过,根据他自己努力加以区别的不同 Zhang Da-chien’s attitude towards the traditional Chinese painting can be described as “fetishism”. Almost all things that he thinks are of interest, there is no genre of portal, used to use. Especially in his middle age, his search for traditional art style almost reached the insatiable level. In addition to using it in large quantities, he also promoted the artistic context of his art and made innovations. He called himself “ Solid as a ”. Therefore, it is difficult to separately talk about the artistic conception of Daqian landscape painting. However, from the perspective of Zhang Daqian’s individual artistic temperament, he will find that he is still the same as ever. All the techniques and principles of his predecessors have been mastered under his own fresh and elegant style. However, according to his own efforts to distinguish the difference