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过去草台班在农村演出,有打“闹台”的习惯。离开演前半小时或一刻钟,“武场面”用各种不同的“点子”激烈而有节奏的打三通锣鼓。“闹台”的作用在于召集观众。因为农民住的
In the past, the grass-clad classes performed in the countryside and had the habit of hitting the stage. Half an hour or a quarter of an hour before the performance, Wu Wuwei used various “ideas” to fiercely and rhythmically beat the three-way drums. The role of “Nao Tai” lies in convening the audience. Because peasants live