昨天又看了一遍《暖春》,这是唯一一部让我观看时几次泪流满面的电影。影片围绕着一个无家可归的小女孩小花展开,她最大的愿望就是能够拥有一个属于自己的家。《暖春》是以小花在悲冷的黑夜中逃离苦海时惊慌失措的场景开头的,这种开头方式在观众心头抛掷下了一块因爱的缺失引发悲剧的重石,压得观众无法喘息,并且在这种窒息的环境下引发人们的深思。一边是因遭受生存生活打击而离家的小女孩,她忍 Yesterday I read “Warm Spring,” the only movie that burst into tears when I was watching. The film revolves around a little girl homeless flowers, her biggest wish is to have a home of their own. “Warm Spring” begins with a panic-stricken scene of small flowers fleeing the bitter sea in a gloomless night, a start-up way of throwing a heavy stone of tragedy in the audience’s heart caused by a lack of love, so that the audience can not afford to breathe and In this suffocation of the environment lead to people’s deep thought. On one side is the little girl who left home because she was hit by a living life and she tolerated it