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作为现代意义上的有建制的学科,当代中国比较文学不知不觉地走过了30个春秋,在学科理论、国际文学关系、比较诗学、华人流散文学、译介学、文学形象学、文学人类学、文学与宗教的跨学科研究等领域都取得了可喜可贺的成果,从理论建设和学科建设两个方面夯实了“中国学派”在国际比较文学界的地位。从独尊法国学派或美国学派到主张两者共奉,再到倡导建议“中国学派”;从接触与学习西方“影响研究”和“平行研究”的理论与实践,到跳出此“西方中心主义”的藩篱,探索一种跨越
As an established discipline in the modern sense, contemporary Chinese comparative literature has unknowingly gone through 30 years of Spring and Autumn. In the fields of subject theory, international literature relations, comparative poetics, Chinese diaspora literature, translation and media studies, literary image studies and literature Anthropology, interdisciplinary research in literature and religion, and other fields have made gratifying achievements in compiling the “Chinese School” status in the field of international comparative literature from both theoretical and disciplinary perspectives. From the French or American school alone to advocating the two together, and then to advocate the proposal of “Chinese School”; from the contact and study of the Western “impact research” and “parallel research” theory and practice, to Jump out of this “Western-centric” fence and explore a leap forward