前两天浙江画院副院长池沙鸿打来电话,说由画院主办的《中国画画刊》杂志这一期为我作一个专题介绍,并嘱我写些有关人物画创作的感想。我心里有些踌躇,不知写些什么好,一是因为自己的人物画创作作品不多,谈不出什么经验之道;二则我的有些想法很不合时宜,放在自己的心里不碍事,一写出来恐招惹人的非议。我是个不想惹事的人,做人做事向来是多一事不如少一事的态度;可是我又很讨厌说假话或不着边际的空话,浪费编辑的时间与纸张,思前想后,觉得还是应该实话实说为好。画画的人,大都比较感性,想到哪写到哪,不如理论家那样有条理,因此我也只有信马由缰,想到什么写什么了。先说中国画。关于中国画的争论,自有“中国画”这个名词之后,就一直没有消停 A couple of days ago, he called by Chi Sha-hung, vice president of Zhejiang Art Academy, and asked me to write a few thoughts on the creation of figure paintings. I was somewhat hesitant in my heart, I do not know what to write well, first, because my own character painting works are small, can not tell what the experience of the road; some of my ideas are outdated, in his heart, Fear of criticism out of fear. I am a person who does not want to stir up troubles. Being a man has always been a matter of more matters than mere attitude. However, I hate to tell lies or outdated empty talk, waste editing time and paper, think after thinking, or should I tell the truth. Most of the people who draw the paintings are more sensual and think of where they are written. They are not as organized as theorists. Therefore, I only have to rely on the reins and think of what to write. Let’s talk about Chinese painting. As for the controversy over Chinese painting, after its own term “Chinese painting”, it has never stopped