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王海玲的大量特区题材小说,以描写特区人的生存、奋斗和自省为主体,但是《热屋顶上的猫》却以大胆前卫的笔触描写了生活在特区的以性为生存资本的另类知识女性的情与性。小说中以丽莎为代表的三个女人,她们不同于生活在婚姻围城中的传统女性,在特区特殊的经济、文化背景之下,其情爱和性爱心理随着环境的变化而经历着一场痛苦的嬗变。本文试图从文化和心理的角度,对比性地审视这一特殊人物群体从爱情的失落到最终失去自我,完全沦落为“物”的过程。
Wang Hailing’s large number of subject-themed novels focus on the survival, struggle and introspection of the people in the SAR. However, “the cats on the hot roof” boldly avant-garde brushstrokes depicting alternative knowledge-based living subsistence women living in the SAR Love and sex. In the novel, the three women represented by Lisa are different from the traditional women living in the siege of marriage. Under the special economic and cultural background of the SAR, their love and sexual psychology experience a change with the environment Painful evolution. This article attempts to contrast the process of this special character group from the loss of love to the loss of oneself and the reduction of oneself completely to the “object” from the perspective of culture and psychology.