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对作为现代概念的“日常生活”与大众文化的批判历来存在两条线索,即“日常生活”的压抑论与反抗论和大众文化的整合论与颠覆论。这两条线索、两个概念又通过艺术关联起来,而艺术的传统内涵在机械复制的现代后现代社会已显得力不从心,艺术概念外延的扩界成为必然。对“日常生活”、大众文化和艺术三个核心概念进行辩证的分析,是讨论审美泛化和当代美学学科建设的必要前提。
There are always two clues to the criticism of “daily life” and popular culture as the modern concept, namely the theory of oppression and opposition and the theory of integration and subversion of “everyday life”. The two clues and the two concepts are related through art. However, the traditional connotation of art seems to be inadequate in the modern postmodern society copied mechanically. The expansion of the concept of art is inevitable. The dialectical analysis of the three core concepts of “daily life”, mass culture and art is a necessary prerequisite for discussing the aesthetic generalization and the construction of contemporary aesthetics.