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《项链》是法国小说家莫泊桑的名著,由于长期以来被选入各种版本的教材,所以在中国几乎是家喻户晓。在我国,对一篇作品的评价常常可以分为两个部分:一是内容上的,一是艺术上的。就艺术而言,这篇小说无愧于名家名篇,这是有公论的。无论是构思的巧妙、情节的跌宕起伏,还是夹叙夹议、人物的心理描写,都极具特色。问题在于内容上的评价。我们的许多评论文章和教材分析几乎都这么认为:文章通过一个小职员的妻子路瓦栽夫人借项链、丢项链所造成的不幸遭遇,塑造了路瓦栽夫人这个“爱慕虚荣、追求享乐”
“Necklace” is the French novelist Maupassant’s masterpiece, because has long been selected into various versions of textbooks, so almost a household name in China. In our country, the evaluation of a piece of work can often be divided into two parts: one is content, one is art. In terms of art, this novel is worthy of a famous name, which is a matter of public opinion. Whether it is the clever idea, the ups and downs of the plot, or the folder folder folder, the psychological description of the characters are very distinctive. The problem lies in the content of the evaluation. Much of our commentary and textbook analysis suggests that the unfortunate experience of losing a necklace through a lady’s wife, Mrs. Lwawet, created the “love vanity and pursuit of enjoyment”