小说《为奴隶的母亲》被改编成甬剧《典妻》后,主人公“春宝娘”的审美形象发生了很大的变异,经典文学形象被以戏剧形式二度创作后焕发出勃勃生机,这启发我们思考经典文学该如何继承和创新,使当代受众产生情感共鸣。 After the novel “The Slave’s Mother” was adapted into the “Classical Wife” of the Yong Family, the aesthetic image of the protagonist Chun Bao Niang changed a lot. The classic literary image was rejuvenated after being drafted twice in dramatic form Life, which inspired us to think about how classical literature should be inherited and innovative, so that contemporary audiences have emotional resonance.